Sometimes a "reference" approach could be applied. Other times, I prefer the "closed-eyes" approach — pulling ideas directly from the object itself and its contextual background.
In short: I study, observe, distort, rebuild — until the solution finally feels inevitable.
Every project begins with a small obsession — understanding why things look, feel, or work the way they do.
My process blends structured research with a bit of beautiful chaos: mind-mapping, sketching, visual analysis, and endless experiments.
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